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Yonamine’s work is marked by the interaction of various means of production. This is expressed in the diverse ways his pieces are constructed: he redeploys significant cultural hierarchies and sociological typologies into an ever-expanding cumulative practice. His diverse international experiences—he appropriates images and actions from Luanda; Cali, Colombia, where he was a resident artist; Asia, and Oceania—have made him feel like a significant part of the world and the environment.

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